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The Bibliothèque Nationale de France announced authentication of 289 pages of Proust's handwritten corrections and extensive revisions to galley proofs for À la Recherche du Temps Perdu, spanning the novel's publication from 1913-1927. These materials demonstrate Proust's legendary revision practices—margins crowded with additions, deletions, and substitutions transforming galley text into radically different prose. The revisions show Proust adding entire new passages between set lines, expanding psychological analyses, introducing new metaphors, and fundamentally restructuring narrative sequences. Some pages contain corrections so extensive that the original printed text is nearly obscured by handwritten overlay. Proust's annotations reveal his conscious crafting of time's psychological representation—revisions often involve temporal reference, shifting verb tenses, and reconsidering chronological relationships. The galleys show physical evidence of Proust's intensive working method: coffee stains, marginal sketches, and notes to himself about narrative coherence. Several passages reveal Proust questioning his own metaphors and revising them multiple times across different proofs, suggesting dissatisfaction with initial formulations. The manuscript includes Proust's correspondence with his publisher regarding production schedules and his anxiety about whether his revisions could meet publication deadlines. This collection demonstrates À la Recherche not as spontaneous creation but as meticulously constructed consciousness exploration.